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Contents |
BOOK THREE
LETTING THE CROWD BE BEAUTIFUL
CHAPTER IV
LETTING THE CROWD HAVE PEOPLE IN IT
SO we face the issue.
Nothing beautiful can be accomplished in a crowd civili-
zation, by the crowd for the crowd, unless the crowd is beau-
tiful. No man who is engaged in looking under the lives
about him, who wishes to face the facts of these lives as they
are lived to-day, will find himself able to avoid this last and
most important fact in the history of the world—the fact
that, whatever it may mean, or whether it is for better or
worse, the world has staked all that it is and has been, and
all that it is capable of being, on the one supreme issue, "How
can the crowd be made beautiful?"
The answer to this question involves two difficulties: (1)
A crowd cannot make itself beautiful. (2) A crowd will
not let anyone else make it beautiful.
The men who have been on the whole the most eager
democrats of history—the real-idealists—the men who
love the crowd and the beautiful too, and who can have no
honest or human pleasure in either of them except as they
are being drawn together, are obliged to admit that living
in a democratic country, a country where politics and aesthetics
can no longer be kept apart, is an ordeal that can only be
faced a large part of the time with heavy hearts. We are
obliged to admit that it is a country where paintings have
little but the Constitution of the United States wrought
into them; where sculpture is voted and paid for by the com-
mon people; where music is composed for majorities; where
poetry is sung to a circulation; where literature itself is scaled
to subscription lists; where all the creators of the True and [291]
the Beautiful and the Good may be seen almost any day
tramping the tableland of the average man, fed by the aver-
age man, allowed to live by the average man, plodding along
with weary and dusty steps to the average man's forgetful-
ness. And, indeed, it is not the least trait of this same aver-
age man that he forgets, that he is forgotten, that his slaves
are forgotten, that the world remembers only those who
have been his masters.
On the other hand, the literature of finding fault with the
average man (which is what the larger part of our more am-
bitious literature really is) is not a kind of literature that
can do anything to mend matters. The art of finding fault
with the average man, with the fact that the world is made
convenient for him, is inferior art because it is helpless art.
The world is made convenient for the average man because
it has to be, to get him to live in it; and if the world were
not made convenient for him, the man of genius would find
living with him a great deal more uncomfortable than he
does. He would not even be allowed the comfort of saying
how uncomfortable. The world belongs to the average man,
and, excepting the stars and other things that are too big
to belong to him, the moment the average man deserves
anything better in it or more beautiful in it than he is getting,
some man of genius rises by his side, in spite of him, and
claims it for him. Then he slowly claims it for himself. The
last thing to do, to make the world a good place for the aver-
age man, would be to make it a world with nothing but aver-
age men in it. If it is the ideal of democracy that there shall
be a slow massive lifting, a grading up of all things at once;
that whatever is highest in the true and the beautiful, and
whatever is lowest in them shall be graded down and graded
up to the middle height of human life, where the greatest
numbers shall make their home and live upon it; if the ideal
of democracy is tableland—that is—mountains for every-
body—a few mountains must be kept on hand to make table- [292]
land out of.
Two solutions, then, of a crowd civilization—having the
extraordinary men crowded out of it as a convenience to
the average ones, and having the average men crowded out
of it as a convenience to the extraordinary ones—are equally
impracticable.
This brings us to the horns of our dilemma. If the crowd
cannot be made beautiful by itself, and if the crowd will not
allow itself to be made beautiful by anyone else, the crowd
can only be made beautiful by a man who lives so great a life
in it that he can make a crowd beautiful whether it allows
him to or not.
When this man is born to us and looks out on the condi-
tions around him, he will find that to be born in a crowd civili-
zation is to be born in a civilization, first, in which every
man can do as he pleases; second, in which nobody does.
Every man is given by the Government absolute freedom;
and when it has given him absolute freedom the Government
says to him, "Now if you can get enough other men, with
their absolute freedom, to put their absolute freedom with
your absolute freedom, you can use your absolute freedom
in any way you want." Democracy, seeking to free a man
from being a slave to one master, has simply increased the
number of masters a man shall have. He is hemmed in with
crowds of masters. He cannot see his master's huge amor-
phous face. He cannot go to his master and reason with him.
He cannot even plead with him. You can cry your heart
out to one of these modern ballot-boxes. You have but
one ballot. They will not count tears. The ultimate ques-
tion in a crowd civilization becomes, not "What does a thing
mean?" or "What is it worth?" but "How much is there
of it?" "If thou art a great man," says civilization, "get
thou a crowd for thy greatness. Then come with thy crowd
and we will deal with thee. It shall be even as thou wilt."
The pressure has become so great, as is obvious on every side, [293]
that men who are of small or ordinary calibre can only be
more pressed by it. They are pressed smaller and smaller—
the more they are civilized, the smaller they are pressed;
and we are being daily brought face to face with the fact
that the one solution a crowd civilization can have for the
evil of being a crowd civilization is the man in the crowd
who can withstand the pressure of the crowd; that is to say,
the one solution of a crowd civilization is the great-man solu-
tion—a solution which is none the less true because by name,
at least, it leaves most of us out or because it is so familiar
that we have forgotten it. The one method by which a crowd
can be freed and can be made to realize itself is the great-
man method—the method of crucifying and worshipping
great men, until by crucifying and worshipping great men
enough, inch by inch, and era by era, it is lifted to great-
ness itself.
Not very many years ago, certain great and good men,
who, at the cost of infinite pains, were standing at the time
on a safe and lofty rock protected from the fury of their kind
by the fury of the sea, contrived to say to the older nations
of the earth, "All men are created equal." It is a thing to
be borne in mind, that if these men, who declared that all
men were created equal, had not been some several hundred
per cent. better men than the men they said they were cre-
ated equal to, it would not have made any difference to us or
to anyone else whether they had said that all men were cre-
ated equal or not, or whether the Republic had ever been started
or not, in which every man, for hundreds of years, should
look up to these men and worship them as the kind of men that
every man in America was free to try to be equal to. A civili-
zation by numbers, a crowd civilization, if it had not been
started by heroes, could never have been started at all. Shall
this civilization attempt to live by the crowd principle, with-
out men in it who are living by the hero principle? On our
answer to this question hangs the question whether this civili- [294]
zation, with all its crowds, shall stand or fall among the civili-
zations of the earth. The main difference between the heroes
of Plymouth Rock, the heroes who proclaimed freedom in
1776, and the heroes who must contrive to proclaim freedom
now, is that tyranny now is crowding around the Rock, and
climbing up on the Rock, eighty-seven million strong, and
that tyranny then was a half-idiot king three thousand miles
away.
. . . . . . .
We know or think we know, some of us—at least we have
taken a certain joy in working it out in our minds, and live
with it every day—how people in crowds are going to be
beautiful by and by.
The difficulty of being beautiful now, I have tried to express.
It seems better to express, if possible, what a difficulty is
before trying to meet it.
And now we would like to try to meet it. How can we
determine what is the most practical and natural way for
crowds of people to try to be beautiful now?
It would seem to be a matter of crowd psychology, of crowd
technique, and of determining how human nature works.
All thoughtful people are agreed as to the aim.
Everything turns on the method.
In the following chapters we will try to consider the tech-
nique of being beautiful in crowds.
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