BOOK FIVE

      GOOD NEWS AND HARD WORK


      EPILOGUE

      FRANCE is threatened by her childless women, Germany by
      her machines, Russia is beginning the Nineteenth Century.

      It is to England and America, struggling still sublimely with
      their sins, the nations look—for the time being—for the next
      big free lift upon the world.

      Looked at in the large, in their historic import and their
      effect on the time, the English temperament and the American
      temperament are essentially the same. As between ourselves,
      England and America are apt to seem different, but as between
      us and the world, we blend together.. One could go through in
      what I have been saying about Oxford Street and the House
      of Commons in this book, strike out all after Oxford Street and
      read Broadway, and all after Ute House of Commons and read
      Congress, and it would be essentially true with the necessary
      English or American modulation. In the same way it would be
      possible to go through and strike out all after the President and
      read Prime Minister or the Government.

      England and America have the individualistic temperament,
      and if we cannot make a self-expressive individualism noble,
      and if we are not men enough to sing up our individualism into
      the social and the universal, we perish.

      It is our native way. We are to be crowdmen or nobodies.

      The English temperament or the American temperament,
      whichever we may call it, is the same tune, but played with a
      different and almost contrasting expression.

      England is being played gravely and massively like a
      violoncello, and America—played more lightly, is full of
      the sweeps and the lulls, the ecstasy, the overriding glory of
      the violins.

      But it is the same tune, and God helping us, we will not and [560]
      we shall not be overwhelmed under the great dome of the
      world, by Germany with all her faithful pianolas, or by France
      with her cold sweet flutes, or by Russia with her shrieks and her
      pauses, pounding her splendid kettledrums in that awful
      silence!

      Our song is ours—England and America, the 'cello, and the
      bright violins!

      And no one shall sing it for us.

      And no one shall keep us from singing it.

      The skyscrapers are singing, "I will, I will!" to God, and
      Manchester and London and Port Sunlight are singing, "I will,
      I will!" to God. I have heard even Westminister Abbey and
      York—those beautiful old fellows—faltering, "I will, I will!
      to God!

      And I have seen, as I was going by, Trinity Church at the
      head of Wall Street repenting her sins and holding noonday
      prayer meetings for millionaires.

      Our genius is a moral genius, the genius of each man for ful-
      filling himself. Our religion is the finding of a way to do it
      beautifully.

      Let Russian men be an army if they like—death and
      obedience. Let German men keep on with their faithful,
      plodding, moral machines if they want to, and let all French
      men be artists, go tra-la-laing up and down the Time to the
      beautiful—furnishing nudes, clothes, and academies to a
      world.

      But we—England and America—will stand up on this
      planet in the way we like to stand on a planet and sing, "I will,
      I will!" to God.

      If we cannot do better, we will sing, "I won't, I won't!"
      to God. Our wills and our won'ts are our genius among
      the sons of men. They are what we are for. With
      England and America I will and I won't are an art form,
      our means of expressing ourselves, our way of invention
      and creation, of begetting an age, of begetting a nation upon [561]
      a world.

      We do not know (like great men and children) who we are at
      I first. We begin saying vaguely—"will—will!"

      Then i will!

      Then I will!

      Then WE WILL!

      THE BEGINNING.